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Tim Geigner
Tech Dirt
Sept. 27 2019

Those of you familiar with Adland will know just how useful and interesting a site it was for anyone interested in the recent history of commercial advertising. Started in 1996, the site served as a repository of commercials and a place that commented on ads and their impact on the advertising world. Cool concept. Adland has also made a fair amount of noise in being pro-copyright, dismissive of the concepts of “free” anything, and has on at least one occasion given Techdirt some shit for our stances, in this case on allowing users to turn off ads on our site.

None of that changes the fact, however, that it’s a very real loss that the site has decided to shut down after its host complied with a bullshit DMCA notice from Bridgestone Tires over its hosting of an old commercial and the use of the Bridgestone name in commenting on that commercial.

So, I’m shutting down Adland right now. Why? Because the server host (for the webserver, not the data) just gave us 24 hours to leave. To “remove the domain adland.tv from our network within 24 hours” Why are they requesting this? Because Amy Tindell at Holland & Hart LLP in Boulder CO is demanding we remove a Thai Bridgestone ad from the archives. Remember “a Dog’s life”? The ad from BBDO Bangkok that won silver in the Asia-Pacific Adfest in 2003? Yes, it’s that one. They also claim that by writing the name “Bridgestone” we are infringing on Bridgestine’s trademark. And that is why we are unceremoniously thrown off our web server host with a demand to get out in 24 hours.

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The content in this post was found at https://www.techdirt.com/articles/20190927/09415043076/adland-shuts-down-after-web-host-complies-with-bullshit-dmca-notice.shtml Clicking the title link will take you to the source of the post. and was not authored by the moderators of freeforafee.com

Glyn Moody
Tech Dirt
March 4, 2019
As Techdirt has reported over the years, the move to open access, whereby anyone can read academic papers for free, is proving a long, hard journey. However, the victories are starting to build up, and here’s another one that could have important wider ramifications for open access, especially in the US:

As a leader in the global movement toward open access to publicly funded research, the University of California is taking a firm stand by deciding not to renew its subscriptions with Elsevier. Despite months of contract negotiations, Elsevier was unwilling to meet UC’s key goal: securing universal open access to UC research while containing the rapidly escalating costs associated with for-profit journals.

In negotiating with Elsevier, UC aimed to accelerate the pace of scientific discovery by ensuring that research produced by UC’s 10 campuses — which accounts for nearly 10 percent of all U.S. publishing output — would be immediately available to the world, without cost to the reader. Under Elsevier’s proposed terms, the publisher would have charged UC authors large publishing fees on top of the university’s multi-million dollar subscription, resulting in much greater cost to the university and much higher profits for Elsevier.

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The content in this post was found at https://www.techdirt.com/articles/20190304/09220141728/big-win-open-access-as-university-california-cancels-all-elsevier-subscriptions-worth-11-million-dollars-year.shtml Clicking the title link will take you to the source of the post. and was not authored by the moderators of freeforafee.com

Mike Masnick
Tech Dirt
August 22, 2019

Nearly a decade ago, we wrote a bunch about an excellent book called Copyfraud, by law professor Jason Mazzone, which went into great detail about how the legacy entertainment industry companies have used copyright in ways that are clearly against copyright’s intent — to the point that they border on fraud. The concept of copyfraud should be referred to more frequently, and here’s a perfect example. Just a couple months ago, we wrote about the amazing social media account of Jimmy O’Brien, who goes by @Jomboy_ on Twitter. He’s combined his love of baseball, his video editing skills, his ability to read lips incredibly well, and with a sarcastic, dry sense of humor to make a ton of amazing videos about various things happening in baseball. We highlighted a bunch last time around and his profile has only grown a lot since then, including among Major League Baseball players.

About a month after that post, Jomboy may have had his biggest moment so far, in putting together a truly amazing video of NY Yankees manager Aaron Boone getting ejected — following a bunch of players and Boone arguing with a young umpire over some bad calls. What took the video from normal great to amazing was that it revealed exactly what Boone was saying to the ump during their argument thanks to a bunch of “hot mics” from the broadcast. That allowed us to learn a lot more about this argument than anyone normally does in watching a manager scream at an ump:

That video alone went crazy viral and launched an even more viral meme in the phrase “fucking savages,” that is now on tons of t-shirts. Yankee fans have embraced it. The players have embraced it. By any stretch of the imagination, this was actually great for the game of baseball.

So, of course, Major League Baseball wants to kill it. Because that’s what MLB does. MLB’s head of discipline (and a former Yankee manager himself), Joe Torre is apparently really really upset about these hot mic videos that have gotten fans so excited about the game. Because how dare fans learn about the personalities of the people in the game.=

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The content in this post was found at https://www.techdirt.com/articles/20190815/22332942792/why-is-mlb-claiming-revenue-obviously-fair-use-videos-youtube.shtml Clicking the title link will take you to the source of the post. and was not authored by the moderators of freeforafee.com

Mike Masnick
Tech Dirt
July 17, 2019

Every few years this kind of thing pops up. Some ignorant organization or policymaker thinks “oh, hey, the easy way to ‘solve’ piracy is just to create a giant blacklist.” This sounds like a simple solution… if you have no idea how any of this works. Remember, advertising giant GroupM tried just such an approach a decade ago, working with Universal Music to put together a list of “pirate sites” for which it would block all advertising. Of course, who ended up on that list? A bunch of hip hop news sites and blogs. And even the personal site of one of Universal Music’s own stars was suddenly deemed an “infringing site.”

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https://www.techdirt.com/articles/20190712/00090542575/wipo-now-gets-into-extrajudicial-zero-due-process-censorship-act-over-sites-it-declares-infringing.shtml

John Cannan
IP Watchdog
June 8, 2019

The Eighties are in! A contagious wave of nostalgia has infected popular culture with period TV series, from shows like Stranger Things to rebirths and reboots of the era’s shows and movies. This retro cultural appropriation was bound to involve a copyright issue. Indeed, a dispute arose over a documentary on the 1985 Chicago Bears, which made an unauthorized use of the team’s landmark music video, The Superbowl Shuffle. The Shuffle’s owners claimed an infringement on the licensing market for the work. The documentarians claimed fair use. The U.S. District Court for the Northern District of Illinois, Eastern Division, ruled for the documentarians, granting them summary judgment, in Red Label Music Publishing v. Chila Productions.

The content in this post was found at https://www.ipwatchdog.com/2019/06/08/not-start-trouble-court-rules-documentarys-use-super-bowl-shuffle-fair-use/id=110213/ Clicking the title link will take you to the source of the post. and was not authored by the moderators of freeforafee.com

Valerie Brennan & Gabriel Guerra Medellin
LexBlog
June 10, 2019
The many historic landmarks and neighborhoods in Washington DC are one of the draws for locating events there. In a cautionary tale for event organizers, however, the Court of Appeals of the Fourth District recently ruled that unauthorized use of a third party photograph of the Adams Morgan neighborhood did not qualify as fair use, reversing and remanding the District Court’s summary judgment order.

Mike Masnick
Tech Dirt
June 12, 2019

Almost exactly three years ago we wrote about how well known computer security professor Matthew Green and famed hardware hacker Bunnie Huang had teamed up with EFF and the law firm Wilson Sonsini to file a fascinating 1st Amendment challenge to the DMCA’s Section 1201. 1201 is the so-called “anti-circumvention” or digital locks provision of the DMCA, that says that it’s infringing to “manufacture, import, offer to the public, provide, or otherwise traffic in any technology, product, service, device, component, or part thereof” that is designed to “circumvent” DRM or other “technological protection measures.” Basically, if there’s a digital lock on something — doing anything to get around it (or to help others get around it) is potentially a copyright violation even if (and this is important) the purpose and result of circumventing the DRM has nothing to do with infringing on copyright.

Even Congress knew that this part of the law was crazy when they passed it. It knew that this would lead to all sorts of perfectly reasonable activities suddenly being declared infringing — so it came up with a really annoying hack to deal with that. A triennial review, where every three years everyone could go beg the Copyright Office and the Librarian of Congress to grant categories of exemptions from Section 1201. Those exemptions only last for three years, so even if you get one, you need to keep applying.

The lawsuit took an interesting approach to challenging 1201. Noting that the Supreme Court has long held that fair use is a necessary safety valve to make copyright compatible with the 1st Amendment, they noted that 1201 does not allow fair use as a defense. And if it’s true that fair use is necessary to make copyright compliant with the 1st Amendment, then that should mean that 1201 is not constitutional.

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The content in this post was found at https://www.techdirt.com/articles/20190710/23312242561/three-years-later-1st-amendment-challenge-over-dmcas-anti-circumvention-provisions-can-move-forward.shtml Clicking the title link will take you to the source of the post. and was not authored by the moderators of freeforafee.com

Rashanda Bruce
LexBlog
December 21, 2018

The Second Circuit Court of Appeals returned a favorable ruling for major record companies in a copyright infringement case on December 12, 2018.  The ruling came down in Capitol Records, LLC v. ReDigi Inc., a lawsuit involving an online platform (“ReDigi”) designed to enable the lawful resale of purchased digital music files.  The Second Circuit concluded that ReDigi infringed the record companies’ exclusive rights under Section 106 of the Copyright Act.

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The content in this post was found at https://www.lexblog.com/2018/12/21/buyer-keeper-forever-second-circuit-affirms-decision-music-files-purchased-online-cannot-resold-online/ Clicking the title link will take you to the source of the post. and was not authored by the moderators of freeforafee.com

Timothy Geigner
Tech Dirt
Dec. 6, 2018

Well, as you may have heard, Nintendo suffered its own high-profile leak recently, with the forthcoming Super Smash Bros. Ultimate finding its way onto the internet before the game has even been released. As you would expect, Nintendo got its lawyers busy firing off DMCA notices for all kinds of sites that were hosting the actual game that leaked. It also, however, decided to issue copyright strikes on YouTubers who showed any of the games content.

The YouTuber named Crunchii has been uploading new remixes from Super Smash Bros. Ultimate to his channel over the past few days, which has drawn the ire of Nintendo. Crunchii’s channel has been hit with copyright strikes from Nintendo of America, which has caused him to be locked out of his account and will result in its termination over the next few weeks.

There is also a YouTuber named Dystifyzer, who also posted songs from Super Smash Bros. Ultimate’s soundtrack. He too has been hit with numerous copyright strikes from Nintendo and is expecting his YouTube channel to be gone by next week.

This is stupid on so, so many levels. First, combating leaks with copyright notices rarely works at all, never mind well. Once the bell has been rung on the internet, it’s nearly impossible to fully unring it. On top of that, going after YouTubers that are simply showing off the leaked product really only makes a ton of sense if you don’t have a ton of confidence in the quality of that product. If you believe the product is awesome, you should want it shown off, even prior to release. Hell, maybe especially just prior to release, as a way to hype the game even further and push more sales.

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The content in this post was found at https://www.techdirt.com/articles/20181128/10221041122/nintendo-attempts-to-bottle-leak-genie-with-copyright-strikes.shtml Clicking the title link will take you to the source of the post. and was not authored by the moderators of freeforafee.com